Editing your own book can be a stressful and for many writers, a frankly daunting task. At BubbleCow we help writers tackle the problem of editing their own work on a daily basis.
Here’s a collection of the top ten tips for editing your own book as suggested by our editors:
1. Be consistent
Writing a book is a long process that often spans over years. During this period it is easy for writers to lose track of some of the minor plot details. However, it is vital that a writer makes every effort to maintain consistency throughout the writing process. The problem is that readers will notice mistakes. If you tell your readers that a character has blue eyes in the opening chapter, and then six chapters later you say they are green, the reader will remember.
Our tip is to use character reference sheets. These are simply lists of the key aspects for all of your characters. On these sheets you should record all the key facts - age, description, eye colour etc. Also include any details that might be important such as relationships with other characters, home address and other details you develop. One additional tip is to get into the habit of updating your sheets as you build the characters.
2. Use simple grammar
Not all writers are grammar experts. In fact the reality is that many writers struggle with grammar. Our tip is to keep it simple. The correct use of the period (full stop) and comma will get you out of most tough spots. Learning the rules of the correct use of the apostrophe is also crucial, as is the grammar of speech. However, beyond this you are getting onto dangerous ground. If you are unsure of the correct usage of the semi-colon, then don’t use it (even if Microsoft word insists otherwise).
3. Formatting
Consistent formatting is an important, but often overlooked, part of editing. By this we are talking about titles, subtitles, indenting, text font etc. In fact you need to pay attention to anything that appears on the page. One way to get around inconsistencies is to use the ‘style’ function of your word processing package. Another way is to simply pay attention each time you start a new section, type in a header or change font. Being aware is half the battle.
4. Narrative arc
Your story needs to have a clear start, middle and end. We are all aware of this but it doesn’t always come across in writer’s work. Our tip is to read your work with the three phase structure in mind. Can you pin point the three sections of your book clearly?
Here’s a couple of sites that explain the narrative arc well: here and here.
5. Tense usage
When talking to our editors the issue of tense was highlighted as a common problem. The switching of tenses (past to present/present to past) is something that happens to all writers. It is for this reason that you must pay particular attention to this problem. This is one of those things that readers tend to spot. This blog post might help.
6. Read out aloud
This is a tip that I think every editor worth their salt will pass onto writers. Once your work is completed read it out aloud. Personally I use a software program called TextAloud. This allows me to follow the text as the computer reads it out (in a robot voice). Reading your work out aloud will help you to spot silly mistakes but also the sentences that don’t flow. Another tip is to print your work out and read it from paper. I am not sure why (something to do with screen resolution?) but this seems to help spot mistakes.
7. Let a ‘trusted’ third party look at your book
The emphasis here is on the word trusted. The key is to find someone who will give you constructive feedback. You don’t want someone who will simply say the book is good or bad, you need critical and detailed feedback. It is also important that you TELL the reader that you want critical feedback. Make it clear that you can take the rough with the smooth. Give them guidance in what to look for when reading. They are looking for mistakes and inconsistency.
8. Using critical feedback
This follows on from the point above. As a writer you must learn to implement the correct feedback. Typos and grammar errors should be corrected without any real questioning. However, big issues need to be considered carefully. Sometimes a reader will not like a certain section or suggest changes that go beyond simple sentence structure. In these cases you need to consider the feedback carefully and only make changes that you feel improve the book.
9. Be harsh - cut the dead wood
All of our editors agreed that this is one area that many writers find very difficult. Cutting back is a vital and very powerful skill for writers to develop. The foundation to the exercise should be for the writer to look at each section and ask ‘do I need this?’ Over wordy sentences, extended paragraphs and repetition should all be removed. In addition, ANY section that fails to move the plot forward should be cut. I have seen novels where whole characters have been removed. Cutting back the work is painful but if done correctly will improve your book tenfold.
10. Read each line as a line, then a paragraph, then a section, then a chapter…
If you have carried out all the steps above, and you are happy with your novel, then it’s time to start again. This time you need to go through the novel on a line by line basis. You may find it helps to wait for a couple of weeks before you try to re-edit. This time around you need to scrutinize each sentence in turn, fine tuning as you go. Then, when finished, go back and look at the text paragraph by paragraph. Be critical. Next examine each section, then chapter and so on….
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