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08

May 2013

2

Five Things About Voice in Non-fiction

Nicola Morgan’s book on the teenage brain, Blame My Brain – The Amazing Teenage Brain Revealed, has been popular and praised ever since first publication in 2005. It’s been translated into several languages and reprinted many times. Now there’s

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24

Apr 2013

2

The Ultimate List of Books About Writing

No matter what you feel about the age-old debate of ‘teaching creative writing’, one thing is true, a good grounding in the technical side of writing will make you a better writer. ‘Show, don’t tell’, has almost

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07

Nov 2011

1

Who Else Wants To Know How To Write A Novel Without Planning?

Guest Post by Cheri Williams BubbleCow, or should I say Gary, describes both the merits and process of Randy “The Snowflake – Writing Fiction for Dummies Guy” Ingermanson’s much-heralded Snowflake Method here but (and this is a BIG but) while

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17

Oct 2011

23

See How Easily You Can Write A Novel Using The Snowflake Method

There are many methodologies and techniques for writing a novel. Perhaps one of the most respected and potentially useful is Randy Ingermanson’s Snowflake Method. The founding concept behind Ingermanson’s thinking is that novels are designed. He

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05

Oct 2011

20

Formatting Dialogue: A Quick And Dirty Guide

Formatting dialogue correctly can trip up even the most talented writer. From the outside it can appear that formatting dialogue is a black box of contradictory rules. In this article I want to dispel this myth and detail a set of easy-to-use

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03

Oct 2011

2

Writing a Novel? Is Ignoring The Importance Of Setting Killing Your book?

In this article I will show you why Setting is important when writing a novel. I will also show you that ignoring setting, or even giving it only a passing consideration, will lead to an unconvincing story. Star Wars is one of the most memorable

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28

Sep 2011

4

Editing Your Own Novel: The Importance Of Self Editing

All writers know that if they are to stand any chance of successfully pitching their book to an agent or publisher, their book needs to be perfect (or as close to perfect, as possible). To do this, a writer must learn how to self-assess their

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23

Sep 2011

2

Tips to writing a great second draft of your novel

So you have written your first draft and its now time to go back and make it all nice and shiny. Here are a couple of tips to help you get the most out of re-writing and editing the first draft of your novel. Wait - The first piece of advice is

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15

Sep 2011

3

How To Write Effective Dialogue In Your Novel

Characterization is an accident that flows out of action and dialogue. Jack Woodford If you follow the techniques outlined in this post you will be able to write more effective and revealing dialogue for your novels. The techniques will allow

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11

Sep 2011

5

How Changing The Structure Of Your Novel Can Help Get Your Book Published

In this article I will teach you a set of techniques that will allow you to bring cohesion and a meaningful narrative arc to the structure of your novel. The techniques will allow you to avoid producing confusing, and emotionally disappointing

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Testimonials

The line edit was valuable. I’d spent more than two month’s rewriting and self-editing my book prior to submitting it to BubbleCow. This and the fact that it’s quite a short nonfiction e-book (around 11600 words), made me doubtful that

Anonymous

The critique element of the report was invaluable. It brought clarification and insight as to what was needed to improve the book. At the time you know you are doing the right thing buying an editors report - afterwards you

C R Harris

I’ve finished my first review of the edited book and have taken a couple of days for it to sink in. A re-read of the Editor’s Report is a daily event. I have wondered about the contribution an editor actually

Mike Mahar

The entire edit was extraordinary. The editor’s report was detailed and thought provoking, encouraging me to think about my novel in new ways and challenging me to improve my story, and thus the reader’s experience. The line edit was invaluable

Ramona Flightner

Bubblecow edited my third serious novel, ‘Shemlan - A Deadly Tragedy’. Apart from a good clean edit of the MS and an amount of clear, relevant and useful advice and insight on how to polish a number of scenes in

Alexander McNabb

The price seemed reasonable so I thought, Why not give them a try? I sent in the first book of my non-fiction series. The copy edit was great, catching much that many readers missed. And the suggestions to make the

Mark Alexander

As this is my first book the edit was extremely useful. It gave me valuable technical advice, confirmed some of my own doubts about weaker points in the story and suggested ways to improve them. The comments were constructive at

Rebecca Lewis

I appreciated Gary’s developmental edit. He pointed out quirks in my writing that I didn’t know I had, and he improved my pacing substantially. I had never worked with an editor before until Bubblecow, and I found the experience to

Michael La Ronn

Bubblecow helped me with copy editing my novel, A Very Civil Wedding. The process was simple and the results comprehensive. The copy edit was delivered on time as promised. It gave me confidence that my novel was heading in the

V T Davy

The whole process was a wonderful experience for me. I was apprehensive about leaving my ‘baby’ in the hands of another person, but my fears were immediately put to bed when I saw how much work had gone into the

Jakk Fitton

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Testimonials

The line edit was valuable. I’d spent more than two month’s rewriting and self-editing my book prior to submitting it to BubbleCow. This and the fact that it’s quite a short nonfiction e-book (around 11600 words), made me doubtful that

Anonymous

The critique element of the report was invaluable. It brought clarification and insight as to what was needed to improve the book. At the time you know you are doing the right thing buying an editors report - afterwards you

C R Harris

I’ve finished my first review of the edited book and have taken a couple of days for it to sink in. A re-read of the Editor’s Report is a daily event. I have wondered about the contribution an editor actually

Mike Mahar

The entire edit was extraordinary. The editor’s report was detailed and thought provoking, encouraging me to think about my novel in new ways and challenging me to improve my story, and thus the reader’s experience. The line edit was invaluable

Ramona Flightner

Bubblecow edited my third serious novel, ‘Shemlan - A Deadly Tragedy’. Apart from a good clean edit of the MS and an amount of clear, relevant and useful advice and insight on how to polish a number of scenes in

Alexander McNabb

The price seemed reasonable so I thought, Why not give them a try? I sent in the first book of my non-fiction series. The copy edit was great, catching much that many readers missed. And the suggestions to make the

Mark Alexander

As this is my first book the edit was extremely useful. It gave me valuable technical advice, confirmed some of my own doubts about weaker points in the story and suggested ways to improve them. The comments were constructive at

Rebecca Lewis

I appreciated Gary’s developmental edit. He pointed out quirks in my writing that I didn’t know I had, and he improved my pacing substantially. I had never worked with an editor before until Bubblecow, and I found the experience to

Michael La Ronn

Bubblecow helped me with copy editing my novel, A Very Civil Wedding. The process was simple and the results comprehensive. The copy edit was delivered on time as promised. It gave me confidence that my novel was heading in the

V T Davy

The whole process was a wonderful experience for me. I was apprehensive about leaving my ‘baby’ in the hands of another person, but my fears were immediately put to bed when I saw how much work had gone into the

Jakk Fitton

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